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1. In the Mirror

 

I didn't know I had a dark side,

until I saw my reflection in the mirror of a man.

He played dark games.

I wasn't old enough for night games.

He didn’t care.

 

You don't go crazy;

you go to sleep.

When you open your eyes,

when you get up and dress,

the nightmare doesn't stay under your pillow.

It gets up with you and follows you around.

 

So, you're not really crazy;

You're just stuck somewhere

between awake and asleep,

where you can't run from the demons,

and you can't scream them away,

because someone might think you’re crazy.

2. Rubbish

 

The sound of a shovel scraping soil is like nails on a chalkboard. It vibrates in your teeth. That's the sound I heard, that sound in the cellar.

 

My father whirled, the shovel raised, eyes fever-bright. Red clay stained his fingers, smeared his shirt. He looked away when he saw me, turned his back, scraped more dirt into the hole.

 

"Go upstairs." He paused, dragging one sleeve across his forehead. "This is no place for little girls.

 

"What are you doing?"

 

He scooped more dirt. Rocks skittered on metal. "I'm just taking care of some rubbish. Go on now."

Author’s Bio

Nara Malone's short stories have been published in Modern Romance and The Rock magazines. Her first novel, The Tiger's Tale, was voted Best Paranormal in Passionate Ink's Stroke of Midnight Competition. While she is active in many Internet poetry loops, Blue Harbor is her first published poem.  Read more about Nara Malone at http://narasnook.wordpress.com.

       Venetian Mask with Mirror              © Jakezc
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          Painterly Bluebonnet         © Glenn Dean
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More poetry

 

Blue Harbor

 

by Nara Malone

3. Bluebonnets

 

I have a new watering can and trowel, decorated with bluebonnets. I grit my teeth, scrape soil back, making a furrow beneath the cellar window.

 

The muffled clink of china under suds, and mother’s voice, drift through the kitchen window.

 

"I sent your brother an invitation to her party. Why didn’t he come?"

 

My father's newspaper rattled.

 

“I don't see how he can just disappear without a word,” mother says. “They were so close.”

 

“Good riddance to bad rubbish,” he says. The paper snaps.

 

I bury pebbly seeds, pat water-darkened soil, and wait for green sprouts that won’t come.

4. Out of Mind

 

To me he said: “Asylum means safe place. They will help you here.”

 

To them he said: “My brother had a weak mind. Could be it got passed to her.”

 

So, they put me away,

like a puzzle they can’t finish.

Put me out of mind,

an uncomfortable subject.

Walked off in hurried steps.

 

I should have screamed,

Begged:

“Don’t throw me out.”

 

But I lost my words so long ago,

dropped and buried them

in a hole that could keep secrets.

 

I banged on the glass wall

in a house full of broken people,

kept safe behind unbreakable glass.

5. Asylum Blues

 

I’m blue,

so blue I’m almost black.

Like midnight.

Like a bruise.

Like an inkblot.

What do I mean?

 

I’m Picasso blue,

spilling blues onto canvas,

organizing them in lines and puddles,

that hold our secrets.

When will this blue well run dry?

 

I changed van Gogh’s sunflowers

into bluebonnets.

I  made Munch Scream

in blue.

 

Words buzz in my brain like angry bees.

I tame them, rock them to sleep

in a blue harbor.

 

One day soon,

maybe next week,

or the year after that,

I will paint my way out

of these asylum blues

and into spring green.

                 Prison Break              © Andrea Danti
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